Short reviews of selected films from this year’s festival
By Sascha Krieger
Se rokh / Three Faces (Iran / Director: Jafar Panahi) – Cannes Film Festival
In 2010, Jafar Panahi was banned from making films for 20 years. Three Faces is the fourth film he’s made since. This time, after being caught in a taxi or his own house, he has a little more room: he haunts his home region, the villages his family came from, a safer place for him than Tehran. Not a freer one though, as his film shows. The beginning is stark: a horizontal cell phone video shot by a girl apparently committing suicide. „This is not a film“, his first post-ban effort was called, „we’re not making a film“, Panahi keeps saying during this one – the beginning makes this statement, too, loud and clear. There is a documentary feel to this film, a sense of uncertainty representative of Panahi’s situation, of the female protagonists of the film – who all bear their real names – and the society depicted. It is a patriarchal one, full of often absurd rules such as the elaborate honking ritual to ensure safe passage on a narrow mountain road when it would be so much easier to just make it wider. Panahi depicts such episodes with glee, with a sly humour and a lightness of touch that astonishes.