Short reviews of selected films from this year’s festival
By Sascha Krieger
Manbiki kazoku / Shoplifters (Japan / Director: Hirokazu Kore-eda) – Cannes Film Festival
Celebrated Japanese film-maker Hirokazu Kore-eda has made himself a name for tender, subtle, highly observant and quiet family stories, a seismograph for the most essential of social units. Shoplifters, the surprise but wholly deserving winner of the Golden Palm at this year’s Cannes film festival, is no exception. except that the family is highly exceptional. Firstly, it engages in rather unusual behaviour: in a the opening scene, what seems to be a father-son duo expertly and quite poetically steals from a supermarket before they lift a lonely little girl on their way home. Subsequently, it is gradually revealed that the family ties are not exactly what they seem. When something goes wrong and finally the agents of a hitherto almost completely absent outside world enter, efficient and benevolent society does a thorough job in unravelling a family unit that is all their members have, leading to a haunting series of quietly moving final scenes, images mostly, hovering uncertainly between faint hope and shattering desolation.