By Sascha Krieger
Una película de policías (Competition / Mexico / Director: Alonso Ruizpalacios)
In the end, they catch him. Agter a spectacular chase into an underground station, the two cops arrest the robber they started following several blocks away. The scene leading to theis is a mixture of hughly crafted genre fare and its own parody. Of course, it’s fake, a heroic as well as humorous look at police clichés. The reality is different and director Alonso Ruizpalacios comes at it from many angles. First he has to cops tell their story, quite convincingly until it turns out they’re just actors who are then shown rehearsing their lines as well as infiltrating police academies and departments to learn about being a cop, reflecting on it in video diaries, before the real cops appear, those they played and whose falling out with their superiors they have just enacted. Una película de policías is an elaborate dance of fiction and reality, of clichés and stereotypes and real experiences. In under two packed hours, the systemic problems are made clear, the corruption, the neglect, the utter cynicism of the statement in which cops are victims and culprits at the same time. But also the idealism of many shows, there is no black and white in the blue. It’s a wild ride in which acting becomes a metaphor for police work, where it is involved, too, though, as an actor says, whereas he acts within fantasy, they do so within reality. The levels mix, become almost indistinguishable. What’s real, what’s fake? Whatever it is, it’s serious as hell. And deadly. In many different ways.